Wednesday, July 2, 2014

Court Accepts Claim of SESAC's Alleged Anticompetitive Behavior



 

By Glenn Peoples, Nashville
for Billboard

SESAC won two favorable rulings by a district court in Pennsylvania last week, but still faces a charge of anti-competitive conduct by the Radio Music License Committee, an organization that represents the commercial radio stations in licensing matters.
 
In the June 26th ruling, the court threw out claims against SESAC for price fixing and group boycott/refusal to deal. The price fixing complaint alleged SESAC had agreements with its affiliates that formed a "hub-and-spoke conspiracy." However, the court concluded the RMLC "failed to prove the rim of a hub-and-spoke conspiracy by failing to plausibly allege agreements among SESAC’s affiliates. As the judge noted in the decision, the Sherman Act prohibits monopolistic power only if it's acquired through anticompetitive conduct.
 
But the court refused to grant SESAC's motion to dismiss a charge of anticompetitive behavior. The RMLC alleged SESAC has increased its prices 8% to 20% each year since 2009 without an increase in the size or popularity of its repertory. Unlike ASCAP and BMI, SESAC does not operate under a consent decree with the Department of Justice. As a result, SESAC licensees are not able to seek pricing relief in the rate court available to ASCAP and BMI licensees.


The court agreed with the RMLC's depiction of how SESAC obtained monopoly power through exclusionary conduct rather than "growth or development as a consequence of a superior product, business acumen, or historical accident." Instead, alleged the RMLC, SESAC obtained a "critical mass of must-have works," sold them exclusively in blanket licenses, discouraged direct licenses through rights withdrawals and obscured works in its catalog.

 
Writing about obscured works in SESAC's catalog, the court believed RMLC had adequately pleaded that SESAC's lack of transparency "exacerbates the exclusionary nature of its conduct by forcing radio stations to purchase the SESAC license even if they do not plan to perform the songs in SESAC's repertory for fear that they may unwittingly air copyrighted content.
 
The way SESAC sets prices continues unchanged while the case works its way through court. In December the court denied the RMLC's request to impose an injunction against SESAC rate hikes while the lawsuit plays out.
 

Loma Vista Goes to Concord Music Group



 
 
by Roy Trakin, The Hollywood Reporter

Veteran label exec's imprint moves from Republic, taking St. Vincent, Spoon, Little Dragon, Rhye, Cut Copy, Soundgarden and others along with him. Tom Whalley is moving from one part of the Universal Music Group to another. His Loma Vista Recordings, home to St. Vincent, Little Dragon, Rhye, Cut Copy, Soundgarden and the Grammy--nominated Django Unchained soundtrack, among others, is headed to Concord Music Group in a new multi-year, worldwide strategic partnership. Under the terms of the agreement, Concord will provide funding for new talent relationships and artist development, as well as comprehensive label services for the tastemaker-heavy current and future artist roster.

Formed in 2012 by Whalley’s Seven Four Ent. in partnership with Republic Records, Loma Vista Recordings has released albums by a n umber of prestigious artists, including St. Vincent, LittleDragon, Rhye, Birds of Tokyo, Cut Copy, Ghost BC, Manchester Orchestra, Soundgarden andPapa Spoon, the latest addition to the Loma Vista Recordings family, will release their new album They Want My Soul on August 5.
 
Commented Whalley: “Over the course of two years, we have built a roster full of my favorite artists making music today. Concord is an ideal partner because they share our sense of independence and core values in how you create and expose music to fans around the world. And in expanding our relationship with Universal Music Group, our artists continue to be supported by the best distribution, marketing and promotion people in the business.” Added Concord Music Group managing director Scott Pascucci: “Tom is one of the truly exceptional executives in the music industry, and we are honored to have an opportunity to work with him and the entire Loma Vista team. Together we’ll look to build on the great foundation that Tom has created and foster a nurturing environment for all Loma Vista artists, while producing long-term value for our employees and investors.”

Concord president/CEO Glen Barros is also excited about what Whalley brings to the table: “His experienced team and dynamic artist roster add an exciting new dimension to Concord that aligns perfectly with our vision for the company. We welcome complementary opportunities such as this and believe that this partnership will yield great results for all involved.”
 
UMG chairman/CEO Lucian Grainge added: “Loma Vista and Concord are ideal partners, both creatively and culturally, and we’re thrilled that as a partner ourselves to both of them, UMG can renew and extend our relationship with Tom and build upon our collaboration with Scott, Glen and the great team at Concord."




 



 
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BACKLINE MAGAZINE Independent Music Spotlight: For your consideration: Rick Rocker


Artist: Rick Rocker
Published on Apr 9, 2014
 
Rick Rocker's first official music video!

Album for sale on https://itunes.apple.com/us/album/spe...
Check out http://www.rickrockermusic.com for upcoming shows and more!
Subscribe and stay in touch with Rick at http://www.twitter.com/rickrockermusic http://www.facebook.com



Tuesday, July 1, 2014

Backline Independent Artist Spotlight: "J Bone"

For your consideration

Artist: J Bone
Title: "Black Girls Anthem"
Published: 04-20-2014
Location: Virginia


Directed by: NewSightVIsuals
in Assoc. with RepYaSetDVD IG @newsightvisuals



Contact info:

http://www.uploadyourclip.com
http://www.griphop.com

Purchase song at: https://itunes.apple.com/us/album/bla...

Follow on Intsagram @griphopTwitter @jusbizness